Category Archives: Minnesota State Fair

Minnesota Newspaper Museum shares story of a proud legacy

Journalism is what we need to make democracy work. Walter Cronkite

One way to commemorate National Newspaper Week 2017 is to stress about the decline of print, the intrusion of corporate interests, robots, the proliferation of alternative facts and the perils of weaponized information.

Another way is to go back to the roots, to explore the ways in which freedom of the press lives in the minds and hearts of Americans.  Belief in the right and power of the press is embedded in the Constitution.

The history of the role of the press begins with the ways in which, since the founding of the nation, the news has been shaped and shared by newspapers.  Journalists gathered and wrote the news – newspapers delivered it.  At times this was, and remains, the work of one devoted individual or family.

To understand the history of the ways in which newspapers functioned in earlier times, there is no better place to learn than at the Minnesota Newspaper Museum at the Minnesota State Fair.  Now in its 30th year, the Museum, now located at 1416 Cosgrove Street (street level of the 4-H Building) is a beehive of letterpress equipment operated by volunteers knowledgeable and eager to share digital age visitors with the basics of setting the type that tells the story.

Back in the day, the Minnesota Newspaper Museum received Legacy Grant support to create a videotape record of the Museum, then in a different site on the Fairgrounds. It’s a bit dated, with an emphasis on production, the video tells the story of the commitment to a free press and the role of every link along the information chain that continues to link publishers to readers. http://legacy.mnhs.org/projects/904

Since 1987 the Minnesota Newspaper Museum, sponsored by the Minnesota Newspaper Foundation and staffed by a host of volunteers and Friends, has been one my favorite and most frequently visited exhibits at the Minnesota State Fair.  Several years ago I delved a bit into the history of the Museum, reflected in a post that tells more history, including the story of The Maynard News, a State Fair special edition (https://marytreacy.wordpress.com/tag/maynard-mn/)

Years later I continue to marvel at the power that lies behind those cumbersome machines and in the hands of those press operators. The posters and flyers that proliferate at the exhibit tell the backstory of the journalists who pursued and shared the facts because they believed that words matter and that the strength of the democracy is the responsibility of the informed electorate who receive and act on the print words conveyed by the newspaper.

The Minnesota Newspaper Museum at 30 makes a powerful statement and a chance for Fair visitors to learn and think about the rich legacy of the press in Minnesota.  Here’s the official Fair guide description of the 2017 Newspaper Museum

A newspaper living-history exhibit with demonstrations of the Linotype and Miehle printing press. See how type is set for the newspaper “The Maynard News.” The lead to set type is heated to 550 degrees and creates one “line-of-type” at a time. This Miehle Printing Press prints newspaper pages, one side of one sheet with each revolution. To print the other side of the page, the operator must turn the pages over and print on the back side of each sheet. Demonstrations begin at 10 a.m. and continue throughout the day. Operated by the Minnesota Newspaper Foundation.

Location: State Fair Buildings -> 4-H Building
Date: Sun, Aug 27
Time: 9:00 am – 8:00 pm 
On the map: View on the State Fair Map

And here’s how Facebook captured the response of Fair goers who followed those clear directions at this year’s Great Minnesota Get-together. https://www.facebook.com/TheMaynardNews/ It goes without saying that every visitor learned about letter press publishing – and about the legacy of a free press is Minnesota.

Journalism can never be silent: That is its greatest virtue and its greatest fault. It must speak, and speak immediately, while the echoes of wonder, the claims of triumph and the signs of horror are still in the air.— Henry Anatole Grunwal

 

 

 

 

 

 

Don’t miss the Water Bar pop-up at the Fair!

Water water at the Fair – And a friendly place to think!

New this year at the Great Minnesota Get-Together is the Water Bar, a unique watering hole where Fair-goers gather to meet, exchange ideas, and ponder the possibilities. Don’t miss this  refreshing welcome to the Eco-Experience Building. (http://www.mnstatefair.org/entertainment/eco_experience.html).

This popup drinking establishment elevates water, our ubiquitous and renewable resource, to an elegant libation.  And the bar itself, reminiscent of Cheers, fosters a friendly gathering spot for Fair-goers to share views on life, the State Fair, and why we need a Water Bar to generate substantive conversation and collaboration.

Yes, it’s a bar, with stools and volunteer bartenders who actually decant flights, not in goblets maybe but in Fair-appropriate plastic cups.  To parched Fair-goers it’s a coveted thirst-quencher – and much more.  All  leave informed and inspired.

Explore the website (water-bar.org)  to learn more about the ways in which Water Bar is facing the challenge to “serve water to build relationships that activate communities.”  In pursuit of that goal Water Bar sponsors a mix of projects, including public art projects, the “Dear River” writing initiative and the Northeast Incubator project.

During the Fair and for the next few weeks Water Bar will be temporarily closed, making way for a grand relocation of a remodeled site just next door to the original site.   By mid-September they will be open again to welcome all to enjoy a refreshing flask of water – and hearty conversation about forging a community of neighbors and friends who think, collaborate and take action to create a better, more thoughtful world.  Plans include more art exhibitions, public programs, an art and book shop, and other prompts to stimulate meaningful conversations and collaborations.

In recent times I’ve observed and written about Water Bar several times – there’s always something new, sometimes in Northeast, often on the road.   Clearly, I am an unabashed fan of their creative approach to generating meaningful conversations that truly build a strong, integrated, collaborative community.  The State Fair pop-up offers a chance for many potential fans to check out the idea, the approach, and to share a few sips of cold, clear water with a friendly Minnesota Fair-goer you would not have met under any other circumstances!

Water is the foundation for our economies, communities, ecosystems, and quality of life ~~Kate Brown

 

Making Time for the Joy of Poetry

The crown of literature is poetry. Somerset Maugham

Writer’s Almanac, the perfect post to the start the day, reminded readers this morning that it was on this day in 1985 that President Ronald Reagan signed a bill establishing an official Poet Laureate for the United States – the story of which may have the longest e-address ever! The LC description is brief and well worth a read. (https://www.loc.gov/poetry/about_laureate.html?utm_campaign=TWA+Newsletter+for+December+20%2c+2016&utm_medium=email&utm_source=Eloqua&utm_content=The+Writer%27s+Almanac+for+December+20%2c+2016&elqTrackId=7b2a150483574910ad46f5d560051013&elq=49e5474782b94259a19032223d173dd2&elqaid=25815&elqat=1&elqCampaignId=22661)

Thinking about Poets Laureate soon led me to dig a little deeper to learn just who those exalted men and women of words were.   In short order I discovered a great complementary website, again gathered and shared by the staff of the Library of Congress. Did you know that a few states have state poems? And several, including Minnesota, have Poets Laureate. https://www.loc.gov/rr/program/bib/poethttp://www.loc.gov/rr/main/poets/minnesota.htmlslaureate/

Learn much more about the history of Minnesota’s Poets Laureate, past and present here: https://www.loc.gov/rr/main/poets/minnesota.html. The state’s    current Poet Laureate, is Joyce Sutphen, who has held the position since 2011. Learn more about Joyce Sutphen on her website: http://www.joycesutphen.com

On a cold winter day, when one hasn’t quite finished holiday cards or gifts, it’s just too enticing to keep on probing the literary treasures that capture the spirit of the day. So I was at the ready when the email from Poets.org popped up. As is their special way, the folks there have gathered a selection of winter poems – a sort of happy holiday literary escape to lift the spirits of weary readers. Their picks:

“To Winter” by William Blake
“Winter is good – his Hoar Delights (1316)” by Emily Dickinson
“Those Winter Sundays” by Robert Hayden
“Winter Field” by Joanna Klink
“The Feast of Lights” by Emma Lazarus
“Noel” by Anne Porter
“Recollections of My Christmas Tree” by Mary Ruefle
“Elegy in Joy [excerpt]” by Muriel Rukeyser
“Why Is the Color of Snow?” by Brenda Shaughnessy
“The Snow Man” by Wallace Stevens
“The Coming of Light” by Mark Strand

As a special holiday gift the editors at Poets.org then dipped into their archives to share the charm of E.E. Cumming (yes, i was lower case back in the day)  https://en.wikipedia.org/wiki/E.E.Cumming)  Take time to enjoy Cummings’ 1960 holiday greeting and some reminders of his delightful way with words and ideas!  https://www.poets.org/poetsorg/text/archive-e-e-cummingss-christmas-card?utm_medium=email&utm_campaign=Academy%20of%20American%20Poets%20Newsletter%20December%2020&utm_content=Academy%20of%20American%20Poets%20Newsletter%20December%2020+Version+A+CID_51548827ec6a7804f752ca6728e4f693&utm_source=Email%20from%20Campaign%20Monitor&utm_term=read-more

The Great Minnesota Get-Together 2016 – Some Reflections

Alas, it’s the last day of the Minnesota State Fair – and I’m not there. I was at the Fair for four days in the past week, though. Today seemed like a day to sort through the treasures I’ve accumulated, and to think about what I’ve observed and learned. There’s a lot of swag in my over-stuffed backpack and even more thoughts circulating in my head.

As I try to create a mental Big Picture of the Fair, I keep returning to a theme – the Minnesota State Fair offers a living narrative of the ways in which Minnesotans celebrate the inclusion of people with disabilities into the Fair-going mainstream.

I’ve thought and written about inclusion in the past, most notably two years ago when the fairgrounds expanded physical access options for people with disabilities.

(https://marytreacy.wordpress.com/tag/minnesota-state-fair-photos/) The good news, as reported by Access Press, is that more improvements were added this year. Two key improvements for 2016 were a free accessible trolley that transported fairgoers from parking lot to fairgrounds sites and more accessible restrooms near the children’s area.   Also new this year was a handy dining list that identifies convenient restaurants that accommodate people with disabilities; the guide notes eateries with essential curb cuts, more wheelchair friendly floor surfaces and room for a wheelchair or scooter at the table.

Thinking about my experiences this year I feel as if the potential of those improvements is being realized. My personal impression is that a whole lot of people, once excluded, were having a great time! More than this, I realize just how the updates make the Fair experience more enjoyable for everyone!   From the time I arrived on the fairgrounds I observed the difference and began to take notes for this post. I observed this year’s Fair through the accessibility lens.

As in the past there are complaints about access to rides on the Midway. Since I don’t step foot on the Midway, and since the Midway operates as a fairly independent entity, I chose to celebrate the feeling of total inclusion that permeated the whole of the Fair experience – Midway notwithstanding.

I hope I wasn’t being voyeuristic when at one point I paused to observe from a relatively remote corner of the Creative Activities building. From my stance I could see six fairgoers in wheelchairs, at least eight on walkers, three people with canes indicating limited eyesight, and a couple communicating with each other in sign language. Because it was the Creative Activities building – with emphasis on the fine crafts of weaving, quilting and other grown-up stuff — I didn’t see many children in wheelchairs – children who were no doubt engaged in some far more exciting Fair adventure!

Though I admit that my first choice of Fair features is not the piglets, the calves or even the llamas, as I observed through a new lens I gained insight into the joy that has hitherto escaped me. I saw children and adults with developmental disabilities come alive as they communicated with the animals – often as their parents, siblings or PCA’s waited patiently and smiled a knowing smile as they shared the joy of these meaningful exchanges.

When the 2:00 parade marched down Cosgrove I tried to observe the crowd when fairgoers were not in motion. There were families with young folks pushing family members in wheelchairs; there were PCA’s helping elderly adults; there were couples in which one spouse was offering another physical and moral support. In fact, there were parade enthusiasts with an incredible range of physical and mental challenges. And there was a smile on every face!

Even more, I saw able fairgoers making way, lending a hand, flashing a grin and making accommodations for people and their gear.   Generally speaking, it’s every fairgoer for her/himself, but Minnesotans are quick to step aside for those for whom navigating the crowds is a challenge.

Needless to say, the Fair offers a chance to connect with a host of nonprofits and public agencies that work to improve the lives of people with disabilities. From these representatives I learned a good deal about ongoing challenges, ranging from the labor conditions of PCA’s to the barriers presented by public transit. My swag bag contains a number of colorful posters celebrating the 25th anniversary of the Americans with Disabilities Act!

Bottom line: The Fair offers a chance to see first-hand how Minnesotans embrace members of the disabilities community.   Fairgoers who need a helping hand obviously enrich the lives of good people who care and want to share the unbridled pleasure that the Fair offers every visitor. My thought is that able fairgoers enjoyed their visit to the Fair even more because we have a chance to extend the unique Fair experience to people for whom the gates have finally been opened. As Minnesotans, we take great pride and we just want everyone to experience this unique and wonderful state treasure!

Most important, the Fair manifests the ways in which people with disabilities are seizing the opportunity to capitalize on expanded opportunities to enjoy the sites, the food, the politics, the newborn animals, the music, the chauvinism and the camaraderie of the Great Minnesota Get Together!

Featuring Fun Food for the Mind at the Fair

The Snelling Avenue Bridge is re-opened – a good sign that the Great Minnesota Get Together must be nigh. As always, the state’s highways and by-ways are at the ready for action – in fact, they are already teeming with vendors, exhibitors, builders, chefs, entertainers, transit drivers and others converging on the Fairgrounds to do what needs to be done to ensure that all is in readiness for Thursday, August 27, when the gates open!

Liberal arts majors and their progeny may want to take note of some Fair favorites that are long on bargain, short on deep fried edibles.

Representatives of the Minnesota Historical Society are a visible and audible presence all week. They’re performing at the Schilling Amphitheater with their popular “History-on-a-Schtick!” vaudeville show. Or orient yourself to the fairgrounds with a cell phone walking tour around the grounds. Listen to fascinating stories of Minnesota State Fair history while you learn about the buildings and the stories those walls can tell. MHS also sponsors a booth in the Education Building where visitors can learn about the organization’s resources, the statewide network and outreach activities.

Wednesday, September 2, is library day at the Fair. The first treat of “Read&Ride Day” comes at the gate when public library cardholders will get discounted admission. From 9:00-5:00 Carousel Park will be abuzz with activities for every age, including yoyo tricks, magic, hypnotism, old-time and bluegrass music. For young readers and reader wanabes there are muscle and brain-building activities, picture books, a scavenger hunt, bookmarks and more. Visitors who show their library card will get a deck of “Get Carded: Make your next stop the library” playing cards.

Rain Taxi will join the September 2 reading bonanza with a full schedule of events, starting at 9:00 with the chance to write a short “good morning poem” using impromptu exercises with poet John Colburn. At 10:30 Moorhead teacher Kevin Carollo will craft cardboard animals, while poet Paula Cisewski will write an on-the-spot poem based on the requester’s Tarot cards.

Also from Rain Taxi, from 1:00-2:00 Minnesota hip-hop writer and performer Dessa will sign copies of her Rain Taxi chapbook, A Pound of Steam. From 2:00–3:30 poet-troubadour Brian Laidlaw will lead a drop-in songwriting workshop. And from 3:30-5:00 graphic novelist and comics professor Ursula Murray Husted will create a gigantic collaborative comic – fun for all ages.

** Public Library Day is funded by the Minnesota Legacy Fund.

P.S. Just as I polished off this post the latest news from Minitex popped up – featuring a tempting smorgasbord of top ten fun things to do at the Fair. https://news.minitex.umn.edu/news/library-news/top-10-things-do-state-fair-read-ride-day.  Click and learn!

 

Before the Museums Came – A Virtual Tour of the TC’s Arts Heritage

Open Access Week (October 20-26) just wasn’t long enough to explore all the permutations on the theme. And so we saved the best for last with celebration of a most wonderful open access book. Before the Museums Came: A Social History of the Fine Arts in the Twin Cities, is the brilliant and beautiful creation of publisher, social historian and attorney Leo John Harris. The book and the creator deserve a bonus day of celebration.

Before the Museums Came offers a virtual walk through Minnesota’s fine arts history – actually through the private fine arts collections of some of the state’s most renowned titans of business and politics.   Harris, creator of the open access book, is perhaps best known as the founder of Pogo Press, publisher of arts, history and popular culture. Harris has ventured into open access publishing with his usual commitment to produce a work of significance and beauty.

Focus of this social history of the area’s arts community is on the era spanning the years 1835 till establishment of the Minneapolis Institute of Arts in 1915. Among the noted collectors whose names and stories are known to 21st Century Twin Citians are T.B. Walker and J.J. Hill, both of whom established massive private collections of art from around the globe, collections that established the roots of today’s museums.

Capitalizing on the potential of open access publishing Harris leads a tour through the private collections as well as the institutions and organizations that were created in support of the fine arts. He guides the reader through the early art exhibits and events, the collectors, dealers and artists whose efforts breathed life into the thriving arts community that locals and visitors from around the world enjoy today.

John Lindley, director of the Ramsey County Historical Society, writes that “Harris adroitly explains how art dealers, critics, architects, academics, public libraries, and artists all contributed to the vibrant community interest in the fine arts. As a social history of the fine arts, this book succeeds in documenting the Twin Cities art community prior to 1915 with depth and detail that is unavailable elsewhere. “

The thoroughly researched text is enriched and supplemented by reproductions of artworks, photographs of key players, exhibition sites, studios, art galleries, catalogs and ephemera.  The result is both a scholarly work and a unique reading/viewing experience.

Don’t look for a coffee table book at your favorite indie! This is a virtual tome, downloadable at the click of the key. It’s published by DeGruyter Open (formerly Versita), one of the world’s leading publishers of open access content.   Though the emphasis of Open Access Week is on scholarly and research works, Harris’ unique exploration of the Twin Cities arts heritage is a breakthrough adventure that will not just inform but delight anyone with an eye for the visual arts and a love for the storied roots of our robust arts community

Click here http://www.degruyter.com/view/product/207417 to explore the heritage and to wonder at the possibilities when creativity and technology share a mission and a vision.

 

 

For Twin Cities Readers Book Fare Trumps the State Fair!

For some among us the iconic Minnesota State Fair should eschew the politicians, dump the Skyride, douse the corndogs and replace it all with a tasteful gathering of bibliophiles, Minnesota writers, readings, book talks, exchanges of bon mots among the literati. That’s why we have the Twin Cities Book Festival, the ultimate antidote to the State Fair.

Once again Rain Taxi will restore the natural order to the Minnesota State Fairgrounds when writers, publishers, readers, booksellers and their ilk will gather for the Twin Cities Book Festival. It’s Saturday, October 11, 10:00 AM til 5:00 PM and it’s happening in some of the Fairgrounds classiest settings, including:

  • The Progress Center where there will be an all-day exhibit of publishers, magazines, literary organizations, local authors, booksellers and more.
  • And there are readings and talks on the Reading Stages in the Fine Arts Building, just next door. Participants include Julie Schumacher, Laird Hunt, Okey Ndibe, Hoa Nguyen, Steven Pinker, and an ever growing-list of authors who write for adult readers.
  • There are sites for children’s authors and activities (Michael Dahl, Chris Monroe, Phyllis Root and Lauren Stringer, to name a few),
  • Options for middle grade readers (Margi Preus and William Alexander among others)
  • And teen favorites (Marie Lu, Pete Hautman, Carrie Mesrobian and other YA authors)
  • There’s an author hub featuring Dessa, Michael Fallon, Julie Kramer, John Rosengren, Ben Weaver and who knows who else…. (If you really must know “who else” keep checking the Rain Taxi website (http://www.raintaxi.com/twin-cities-book-festival/ or Facebook for updates….)
  • So no one goes home bookless there’s a used book bonanza,

And it’s all free and open to the public!

The Festival is sponsored in part with funds from the Legacy Fund distributed through the Minnesota State Arts Board and the Metropolitan Regional Arts Council.

 

Spotlight on access – physical and virtual – at the 2014 Great Minnesota Get-Together!

The healthy being craves an occasional wildness, a jolt form normality, a sharpening of the edge of appetite, his own little festival of Saturnalia, a brief excursion from his way of life. – Robert MacIver, sociologist

It’s State Fair time — when new taste treats compete with cheese curds for olfactory prominence, military issue 4-H dorms house weary teens demo-ing the latest in control of frac-sand or groundwater pollution, research-in-progress shares space with Goldie Gopher at the aU of M show-and-tell. Still, as J.V. Bailey (for whom the building that now houses the Minnesota State Fair Foundation is named) observed the “the State Fair approaches in scope and effort an institution of learning.“

Writing in 1934 Bailey celebrated that “the State Fair teaches by exhibit, lecture and pamphlet, the means whereby two blades of grass can be grown with less cost and less effort than ever before.” A noble goal that has inspired, instructed and entertained Minnesotans of every era and every age for over 150 years!

Fair-going veterans and newbies alike are well advised to prepare for the adventure with a good online primer such as

http://www.mnstatefair.org/pdf/media/MSF_History.pdf. ( In case you’re tempted – or inspired to rectify the situation-  Wikipedia is out-of-date.)

The real wonder – and irresistible attraction – of the Minnesota State Fair is that the Fair continues to interpret, share and adapt the Minnesota story. The 2014 “Great Minnesota Get-Together” overflows with ideas, many having to do with access – for Fair attendees and for those who prefer a Virtual Fair Experience

Access on site

At the top of the list for many will be the increased accessibility of fair displays for people with disabilities. This includes the area that was once Heritage Square, now a new transit center, resplendent with restaurants, shops and heritage center. (Good to know that my favorite, the once-threatened Minnesota Newspaper Museum, lives on at the 4H Building!) Gone are the steps to the area that posed a barrier for anyone with mobility issues.

There are also more resources this year. Metro Mobility will have additional stops and ASL interpreters will be on hand. Wheelchair battery recharging can be found at the Care and Assistance Center.

There’s an Attraction Access Guide to assist fairgoers in making choices about rides available at all ticket outlets on the Midway and Kidway. Look for the free park and ride lot with free wheelchair-accessible bus service for people with disabilities and their companions.

This is but the tip of the physical access iceberg – The full range of expanded resources is spelled out in the most recent issue of Access Press on newsstands now – or find the issue online by clicking on http://www.accesspress.org/2014/08/new-history-museum-fairs-new-attractions-designed-for-access/?utm_campaign=987c871d8-RSS-EMAIL_CAMPAIGN&utm_medium=email&utm_term=0_7c7ff77da6-9878c871d8-415185557

Access from home

Been there, done that and want to refresh the memories? Tried listening to the walking tour from home? There’s an app for that!   http://sites.mnhs.org/mobile-tours/web-app/#tour/tour-76/stop/stop-126 or call 1-877 411 4123 – listen and remember the sights, sounds and smells.

Want some visual background? Click on the inventory of photographs of the State Fair, 1953-1968 at the Minnesota Historical Society site: http://www2.mnhs.org/library/findaids/sv000087.xmIH.M.Schawang photo company https://www.google.com/search?q=minnesota+state+fair+photographs&client=safari&rls=en&tbm=isch&tbo=u&source=univ&sa=X&ei=faDnU5vADJe0yASDlIDQCA&ved=0CB4QsAQ&biw=1553&bih=999

Even the prestigious Library of Congress pays archival homage to the Minnesota State Fair circa 1909 – www.loc.gov/pictures/item/2007662332

And there are countless good reads and listens – histories, reminiscences, newspapers, podcasts, including these and more:

The Minnesota State Fair: Origins and traditions, by Kathryn R. Goetz, originally published in MNopedia, republished in MinnPost, August 20, 2013. A readable intro to the history of Minnesotans’ favorite gathering.

Minnesota State Fair: An Illustrated History, by Kathryn Strand Koutsky, Garrison Keillor, foreword by Linda Koutsky.   Coffee House Press, 2007

State Fair: The Great Minnesota Get-Together, by Susan Lambert Miller, foreword by Lorna Landvik, Minnesota Historical Society.

Minnesota State Fair, The History and Heritage of 100 Years, by Ray P. Speer and Henry J. Frost, Argus Publishing Company, 1964.

Seed Queen:The Story of Crop Art and the Amazing Lillian Colton, by Colleen Sheehy, Minnesota Historical Society, 2007.

Once again, Minnesota Public Radio is just one of the radio stations that will be broadcasting from their booth. Though with all of the politicians who will be roaming the grounds this season it’s hard to predict who will show up, here’s the link to MPR’s fair schedule: http://minnesota.publicradio.org/events/minnesota-state-fair/

History at the Fair

If you do go to the State Fair, don’t miss Minnesota History Day – Sunday, August 31. http://www.minnesotahistorycenter.org/events-programs/minnesota-history-center-day-state-fair

A critical feature of the re-designed area on the West end of the fairgrounds is the History and Heritage Center, home of the State Fair History Display. To keep up with plans for the history display follow developments on Facebook: https://www.facebook.com/minnesotastatefair

 

Thoughts while perambulating the Great Minnesota Get-Together

Though Arianna Huffington would be appalled, I’m sure,  her words kept coming to mind during my hours of rapture at the State Fair.  As I trudged the streets, dodged the revelers, and ignored the pervasive essence of grease, it was her prose that set the mental pace.   Huffington’s gentle essay, “Hemingway, Thoreau, Jefferson and the Virtues of a Good Long Walk” posted on her August 29 blog, framed my thoughts at the Great Minnesota Get-Together..

Huffington writes that “a journey – one that can also be full of adventure and knowledge – doesn’t have to involve planes and cars and passports.  The benefits of a journey are always available simply by walking.”

In truth Huffington does not envision walking at the State Fair…Though hers is a more bucolic background with references to communing with nature, I kept thinking of the common experience I was enjoying.  I was alone, anonymous, in a sea of nature (albeit human), devoid of technology (since none that I possess could either cope or compete), in a reflective – and learning – mode.   The Fair, if visited in the guise of a disengaged observer, frees the spirit – no deadlines, no meetings, no business at all except to soak it all in.

And then there’s the walking.  A leisurely walk to Heritage Square is a healthy hike, if one pauses for an irresistible ice cream cone (caramel denali).  The trek to the horse barns or the art gallery or a real tour of International Square puts some wear on the sneakers.  Even the MPR booth on Nelson and Jackson is a healthy jaunt, especially if you start at the North end of the grounds.

The wonder is that the blocks slip by as the mind drifts, occasionally soars, trying to capture the essence of The Fair.  The infants in arms, physically challenged amputees negotiating the Grandstand steps, families in matching day-glo t-shirts designed to keep the brood in tow,  4-Hers shuffling their prize winning efforts,  high school bands marching proudly behind the Kemp’s cow, ethnic food vendors, groomers and trainers of domesticated animals, politicians, exhausted workers, homegrown royalty, artists, musicians, dancers, farmers, crafters, cooks and others who take well-earned pride in their efforts.  Each vignette is a story demanding the sort of reflection that germinates during a long walk to the next story.

In Huffington’s construct her models walked for various reasons:  for Jefferson, the purpose of walking was “to clear the mind of thoughts,” a theory that discourages mobile thinking about life, the universe and the essence of Minnesota.  Nietzsche, on the other hand, believed that “all truly great thoughts are conceived while walking” while Hemingway saw walking as “a way of developing his best thoughts while mulling a problem.”   Walking at the Fair is not about thinking deep thoughts or even mulling a problem.  Still, it’s a sort of mindless thinking that has therapeutic implications.

Huffington concludes that “maybe the connection between our minds and our legs is that one of them is going to wander.  Sit still and our minds want to ramble – get up and start walking and our minds can slow down and be focused.  Perhaps forcing the brain to process a new environment allows it to engage more fully. “

Obviously, normal people go to the State Fair for entertainment, food, maybe even to snag an inflated giraffe, the thrill of the space needle or the chance to kick tires at the remnants of Machinery Hill.

My personal preference is to imagine the Fair as an annual opportunity to “move through the world not just physically, but spiritually.”   Huffington quotes Geoff Nicholson writing in The Lost Art of Walking: The History, Science and Literature of Pedestrianism:  ‘Writing is one way of making the world our own, and…walking is another.”

That’s what I was thinking about as one of the hundreds of thousands of Minnesotans – and neighbors – mentally unleashed for hours at the Fair.  I’m glad no one asked what was on my mind.

WPA’s Legacy Shapes the Landscape of Minnesota and of Northeast Minneapolis

There’s talk these days that what this nation/state/city needs is a 21st Century Work Progress Administration (WPA).  It’s short-hand for what is, in fact, an incredibly complex story of a Depression era program of immense import to the participants and their families, to the economy, and to every American today.

Instinctively, mention of WPA conjures images of bridges, roads, buildings and other concrete (literally) memorials to the work of thousands of men and women who improved the physical infrastructure of the nation.  In part this is because those physical structures remain and the “WPA” stamp is an enduring reminder of who did the work.

One remarkable aspect of the WPA initiative is the less visible but equally lasting impact on the lives of people who were struggling through treacherous economic times.  The goal was to provide one paid job for all families where the breadwinner suffered long-term unemployment.  As one recorder of WPA activities wrote in 1942, “The Work Projects Administration helped to solve the problems of the family and the city.”

The WPA was authorized in 1935 under the leadership of President Franklin D. Roosevelt with the inspiration and guidance of his adviser Harry Hopkins.  Framed as an outgrowth of the Federal Emergency Relief Administration WPA focused on economic recovery and on the absolute commitment to the value of a real job.  Though critics charged that WPA was a government handout, the truth is that WPA workers improved the health and welfare of millions of Americans who learned new skills, tried out ideas, and left a positive imprint of solid construction and implementation of essential community services.

During WPA’s  eight years Americans invested $13.4 billion dollars. In Minneapolis 70,000 men and women found gainful work, education and creative opportunities through WPA. When WPA was dissolved in 1943 it was not failure of the program but a more robust economy buoyed by the harsh reality that American men and women had found defense-related employment.

One hallmark of WPA was that it was largely operated by state and local governments.  Local agencies which provided 10-30% of costs worked closely with and nonprofits and community organization that played a major role in developing and delivering services.

Begun as an economic development/employment project WPA shifted with the tides of time.  As American workers found jobs in industry, labor unions worried less about their members losing jobs to WPA workers; this opened the way for WPA to venture into vocational training.  As visionaries worried about the loss of creative talent and feared that writers, artists, musicians were given unskilled labor jobs, programs in the arts emerged.  Later, as War overwhelmed the nation, existing programs were repositioned in terms of defense preparedness.

The diversity, complexity and shifting direction of WPA programs is hard to categorize. Though they are variously grouped, the WPA programs fall generally into the categories of Construction and Community Service.

Construction

Minneapolitans live in a city built with the labor of WPA workers, working for no more than $8/hour and grateful to have a job to go to in the Depression era.  A shining example of their work is the Minneapolis Armory, built in 1935, probably the most important building constructed in the Twin Cities during the Depression.

The Armory is known as the nation’s shining example of Moderne style.  Its very existence depends to some extent on the fact that it is listed on the National Register of Historic Places.  Armory construction brought $300,000 into the local market while it employed over 400 tradesmen.  All of the materials for the building were produced locally, in keeping with principles of WPA projects – steelwork by Minneapolis Moline and Gillette-Herzog, brick from Twin City Brick, granite from St Cloud and limestone from Mankato.

The Armory is just one stunning example of the physical impact of WPA . Some basic statistics describe the scope:  WPA workers built eleven new city garages and reconditioned five new parks, 68 playgrounds and eight high school athletic fields enlarged and improved 14 branch and main libraries, built or repaired sewers, alleys, curbs and gutters repaired, repaved thirty miles of street and built ten new bridges.  They also installed nearly 65,000 street and traffic signs.  You get the idea.

Other construction highlights include these:

  • Columbia Golf Course, which dates from the early 1900’s,  is one WPA project with which most Northeasters are familiar.  Golfers enjoy the upgraded grass greens created by WPA workers.  The improved greens actually helped Columbia to continue to operate, though at a loss, during hard times.
  • Another local hallmark of WPA is John P. Murzyn Hall in Columbia Heights which began as a WPA project at a cost of $649,407.  Originally known as Columbia Heights Field House, the hall served da community center for the people of Columbia Heights.  The first official event at Murzyn was the January 28 Birthday Ball to celebrate Washington’s Birthday in 1939. Murzyn Hall continues to serve the community as the site of countless dances and other activities and a popular locus for weddings and other important family and community celebrations.
  • Wold-Chamberlain, then one of the largest in the country, enjoyed a major rehab subsidized with $2 million federal funds and the labors of hundreds of WPA workers.  The construction include 30,000 feet of new runway, new hangers, grading for a new naval base and more.
  • Liberal grants of federal funds and WPA labor benefitted the Minneapolis Municipal River Terminal
  • The Minnesota Soldiers Home got a new power plant along with extensive landscaping and sidewalk construction.
  • The Longfellow House was rehabbed and converted into a public library, now a charming museum and reminder of an earlier Minneapolis
  • The “belt line highway” remains a major thoroughfare that still bears the mark of the WPA workers who provided a sixty-foot main highway 66 miles long, “flanked on each side by walks and service drives.”  The goal was to “enable motorists from the west to enter the heart of Minneapolis at the most advantageous point, with minimum confusion and maximum safety.”
  • The city’s proud heritage of beautiful parks owes a debt to WPA workers who established five new parks and reconditioned thirteen others. They built five new parks and added bath houses and landscaping to Lake Calhoun and Lake Hiawatha.  The beauty of Theodore Wirth and Minnehaha Park tells the WPA story writ large.
  • They remodeled the interior of the Minneapolis auditorium and rehabbed numerous court houses offices.
  • Workers reconditioned 22 municipal buildings including seven fire and four police stations.
  • General Hospital and the University hospital received assistance for a total of 155 WPA construction workers.
  • WPA workers worked in a quieter environment to conduct a geodetic survey of Minneapolis “to determine the precise locations of boundaries and geographic points so that the city’s future may be planned intelligently and precisely.”  The report of the survey is that the “geodetic maps are accurate within an inch and less. The project is closely allied to the U.S. coastal and geodetic survey.
  • Of particular interest to Northeasters are the five greens that WPA workers constructed at the Columbia Heights Golf Course.
  • The Minnesota State Fairgrounds are not exactly Minneapolis but as the home of the Great Minnesota Get Together the Fairgrounds belong to all of us – and to WPA we all owe a debt of gratitude to the WPA workers who built the swine and horse barns, the poultry building, the cattle barn ramp, the 4_H building, with improvements to the grandstand, parking areas and the grounds – all at a cost of $2 million federal funds.

Minneapolitans who walk, drive, fly, learn, play sports or just enjoy the beauty of a city park or other public space have a WPA worker and a progressive administration to thank for the vision that merged the economic vitality of the community with the needs of a family for a steady, if minimum, income and a worker who is proud of day’s work well done.

Community Services 

One chronicler of WPA notes that, “everyone can watch the construction of a new school or a bridge in his community, see the men at work, and recognize the value of this work to himself and his fellow man.  The value of this [community service] work aimed at the educational, recreational, and cultural needs of the people as well as at their physical health and well being, is more difficult to determine.”  Still, the reporter observes, it is essential to record “what this work means in time of peace and its increased possibilities in time of national emergency.”

A quick survey of the community service programs of WPA offers a superficial hint at the truth of this observation:

1) Education.   High on the list of programs is adult education, broadly defined.  Americanization classes were a key “defense activity.” Governor Stassen observed that “such classes are a distinct aid to national unity – they help to extend the friendly hand of a free people to those who desire to become one with us.”

Other adult education programs focused on literacy assistance geared to “making Minnesota the most literate state in the union.”  Assistance went to local school boards to establish “Junior Extension colleges.”

Vocational courses such as shorthand and typing, navigation and life boat practices, first aid and safety, dressmaking and dramatics also got WPA support.  Vocational courses included foreign languages, radio code, diesel engineering and just about anything related to national defense.

There were courses in practical skills such as public speaking and parliamentary law as well as special programs in handicrafts for “shut-ins” who learned skills to create products to sell.  Homebound teachers reached children with disabilities who had never been to school

Numerous other programs came under the broadly-defined education activities:

  • Nursery schools were another priority.  By 1941 over 1000 “under-privileged children ages 2-5 were enrolled in 29 nursery schools in 22 communities including several Indian reservations.
  • Children’s health was a major concern as WPA provided yearly examinations and other health measures including smallpox vaccinations, diphtheria inoculations and Mantoux tests for thousands of children.
  • The women’s WPA sewing project employed nearly 500 women in Minneapolis.  The efficient manufacturing organization was a model of efficiency, so efficient that it was threatened because the women had produced enough clothing to serve the relief department’s distribution needs for up to seven years.  At one point it was rumored that the clothing might go to England as part of the lease-lend program.
  • WPA played a significant role in the extension of public library service to a million unserved Minnesotans.  WPA opened 167 new book stations, served nearly 3000,000 Minnesotans without nearby libraries and registered 37, 117 new borrowers.
  • Under the supervision of Gratia Countryman and working at Trudeau School 183 WPA workers indexed the Minneapolis Star Journal from its beginning and microfilmed the Minneapolis Journal for the years 1878-1939.  The project also provided braille textbooks and texts in large print.
  • WPA workers were visible in school libraries.  Though many were placed as librarians in the schools, others restored thousands of damaged books and magazines – everything from repairing book bindings to erasing finger smudges from the margins.
  • Over 900 WPA workers served recreation projects serving 200 communities in 76 Minnesota counties throughout the state.  Again, emphasis was on long-term recreation programming couched in terms of national defense.

2) Arts.  The most lasting of the WPA community service are programs in the arts – visual arts, music, writing and museums.  The impact of these programs is evident and powerful sixty years later.  The Federal Writers Project and the WPA Artists Project clearly have lives of their own.

Federal arts Project:  In Minneapolis the imprint of the Federal Arts Project is pronounced.  WPA-supported visual artists created paintings, sculpture and murals in public buildings as well as easel paintings and graphic arts for public agencies.  Artists worked in realistic styles and chose familiar subjects such as cityscapes, farm scenes, people at work and play to create a portrait of Minnesota life in the era.  The murals at the Minneapolis Armory are perhaps the most evident. The Armory houses two of the few remaining examples of Federal Arts Project murals, large frescoed murals by local artists Elsa Jemne and Lucia Wiley. In recent years both the Minnesota History Center and the Weismann Museum have mounted exhibits of Federal Art Project works.

The program also included free classes for all age groups and rotating exhibits of national and local art works.  At the Walker Art Center scores of workers conducted art classes and activities for hundreds of children and adults.

Federal Writers Project.  In Minnesota as in other states the emphasis in the Writers Project was to communicate the state’s history, folklore, stories, culture and more to the written page.  Writers collected manuscripts and plumbed the memories of pioneers.  They recorded and organized thousands of stories that live today in books, libraries and particularly in the American Memory Project sponsored by the Library of Congress.

Of particular interest to Northeasters is one of these books, The Bohemian Flats, first published through WPA in 1941.  It’s the story of a small, isolated community that lay on the west bank of the Mississippi, tucked underneath the Washington Avenue bridge  From the 1779’s to the 1940’s the village was a home to generations of immigrants  – Swedish, Norwegian, Czech, Irish, Polish and especially Slovaks.  The book continues to be published, expanded and read.

Another visible WPA project is publication of Minnesota: A State Guide, part of the American Guide Series and still in print.  A fascinating story about the Guidebook is the controversy it caused when right wingers charged that it and similar guidebooks from other states were actually community propaganda.

Hundreds of photographs taken by WPA workers are now digitized and online through the Minneapolis Central Library. Photographs of neighborhood churches, monuments, landscapes and more are an essential visual record of the city as it was in the late 1930’s.

Music project. Emphasis of the Minnesota Music Project was to bring the educational, cultural and entertainment values of living music to communities who could not otherwise had had these advantages.  The project included summer band concerts and music for community singing, band clinics for young musicians, and radio concerts broadcast over the University of Minnesota radio station.

250 musicians were employed oin twelve units throughout the state – one symphony orchestra, two concert bands, one “negro” chorus, a teacher’s project, a copyist project and six small bands.  In addition WPA supported an experimental project in music therapy at the University of Minnesota Hospital

3) Research and records.  Though the work sounds tedious, the impact of the research and records programs of WPA are used every day by Minnesotans.  The project included several elements focused on arranging, indexing or improving essential records;  neglected in boom times the records are of long-time importance for administrative and research purposes as well as to Minneapolis-born residents who want to find their own birth records or those of their forbearers.

One major records project was the Historical Records Survey designed for the use it gets today by public officials, attorneys, students of political scientists and researchers.  WPA workers surveyed public archives, the records and history of organizations, from churches and cemeteries to social organizations, objects and places, including monuments, historic sites, trails and Indian burials and mounds., manuscripts and more.  Today the Survey is a research staple.

Some 800 workers were employed at the state and county levels to refurbish, list, revise, extend, index and otherwise improve private records.  Workers also created a variety of maps for every incorporated village and city in the state, including maps of real property.  Today Minneapolitans can research their house history by referring to the WPA survey of Minneapolis homes and residents including the condition of the building and yard, the type of heating, whether the house had running water, sewer connections, mechanical refrigerator or ice box, the number of residents in the home, their ethnicity, nationality and occupation.

Minnesota’s Historical Records Survey identified and organized local public records such as the names of local officials, the function of each office and the records of historic buildings and sites.  WPA workers assisted in the development of research studies including surveys of the safest routes for school children, real estate activity surveys, income studies and the Minneapolis fire hazard survey which revealed and led to the correction of thousands of fire hazards.

Research was also a priority at public higher education institutions.  WPA supported technical undertakings, many related to national defense. The main and “farm” campuses of the University of Minnesota were at the forefront of WPA implementation.  Some 460 WPA workers worked on over one hundred project in the fields of science, history, medicine, technology and others.  Workers assisted in research several projects tied to national defense, including studies of sulfa’s use in treating wounds, burns and infections, elements of high explosives, the strength of aircraft materials.

Conclusion

Whether or not a WPA-type project is appropriate to meeting the economic and social challenges of today, the history of the initiative is a rich sources of ideas proposed, projects planned and implemented, concrete results that can be measured in terms of the degree to which they have met the test of time.

Note:  This article was written for and published in The Northeaster, the community newspaper of Northeast Minneapolis.  Much of the material in this article is based on reports by and to WPA officials.  Of particular value was the 1041 report to the Federal Works Agency, Works Projects Administration, published by the Work Projects Administraton of Minnesota.    Also important was a 1939 report by the State Administrator, Linus C. Glotzbach, prepared for Colonel F.C. Harrington, director of WPA.  A 1942 guide prepared for Social Studies Teachers, prepared with the assistance of the WPA, was also very useful 

These reports and countless others are available at Minneapolis Central Library Special Collections.